Tagged: coen brothers

First trailer for “Inside Llewyn Davis”

We all woke up to a lovely surprise today: The first look at “Inside Llewyn Davis,” the latest film from the Coen Brothers. The highly-anticipated movie, in the way that all of their films are eagerly awaited (but also in a way that their movies since “No Country for Old Men” have been particularly hoped for), is about a 1960s folk musician in New York City.

Oscar Isaac (“Drive,” “The Bourne Legacy”) stars as the titular Davis, while the film also includes Carey Mulligan, Garrett Hedlund, Justin Timberlake (sigh), John Goodman (in his first Coen Brothers movie since “O Brother, Where Art Thou” in 2000) and F. Murray Abraham.

This is a terrific trailer:

Last year, New York took a peek at the set, demonstrating how the Coens transformed modern-day New York into the Village of the 1960s.


The Coens wrote a remake of “Gambit”

The next Coen Brothers movie will be out sooner than expected, though it’s not completely their movie: The brothers wrote a remake of “Gambit,” the 1966 con starring Michael Caine and Shirley MacLaine. The new version is going to star Colin Firth and Cameron Diaz and be directed by Michael Hoffman (who directed “The Last Station,” the Tolstoy movie with Helen Mirren and Christopher Plummer). Shooting starts in May, so it should come out sometime next year. Hey, with no official follow-up to “True Grit” on the schedule, we’ll take what we can get, Coens-wise.

“True Grit” opens to sweeping praise

“True Grit” hits theaters today. This is a fairly big deal for a variety of reasons that are real, imagined, possible and personal.

For me, as well as countless other devotees of the Coen Brothers, it’s exciting to see them returning to the Western, a genre they so cleanly streamlined, modernized and reconfigured in 2007’s Oscar-winning “No Country for Old Men.” Of course, that’s minor nonsense, just a piddling subplot compared to the major thing exciting folks like myself. Namely, the Coens are reteaming with Jeff Bridges for the first time since 1998’s “The Big Lebowski” (as you can tell from the image atop this site, I am a fan of that movie).

It’d be one thing if it were just the Coens and Bridges doing another movie, any movie, any movie at all. But because it’s “True Grit,” it takes on an added significance. The novel by Charles Portis (who has only grown in notoriety since the book’s publication) was first made into a movie in 1969, a star vehicle that wasn’t wholly faithful to the source material because it had to be faithful to the requirements of a John Wayne film. It wasn’t a bad movie by any means, and Wayne wasn’t bad in it (his performance could best be described as “very John Wayne-y”), but he was 62 and had another decade to live (as it turned out), so he was rewarded with the Lifetime Achievement Oscar in the form of a Best Actor trophy that year (besting Dustin Hoffman and Jon Voight, both nominated for “Midnight Cowboy,” as well as Peter O’Toole and Richard Burton). The movie was fine, but the source material remained, almost as if waiting for a proper and fitting cinematic translation. It was waiting for an adaptation that nobody was really clamoring for, yet in the right hands could be perfect.

The notion of remaking a film that had an iconic John Wayne performance doesn’t seem so perverse with the Coens involved. The premise, bare and simple, seems custom-fitted for their particular whimsies and devices: a 14-year-old daughter hires an alcohol mess of a U.S. marshal to help her find the man who murdered her father. Add to that the presence of Bridges, for whom they crafted his indelible role as the Dude, and toss in Matt Damon (as a Texas Ranger who joins the hunt) and Josh Brolin (as the murderer being hunted), and this thing takes on a particular mystique to a particular segment of the populace. That the Coens are not three years removed from winning an Oscar for adapting another vengeful Western is fine, but that Bridges just won a long-denied Best Actor for “Crazy Heart” helped stoke awareness and anticipation to the highest levels possible.

There is also the very real and (to certain folks, like myself) vital fact that this is the last of 2010’s true Oscar contenders to hit theaters. While this movie is a long shot for actually winning any awards — not with “The Social Network” and David Fincher, “The King’s Speech” and Tom Hooper, Colin Firth and James Franco, Christian Bale, Amy Adams and Helena Bonham Carter all frontrunners for the categories in which this movie will contend — it is nonetheless the final piece of the Oscar puzzle.

For me, personally, it represents the final must-see film of 2010 hitting wide release. There was a relative paucity of these big, interesting-looking-to-me mainstream movies this year — some form of the list would include “Inception,” “Toy Story 3,” “The Social Network,” “TRON: Legacy,” “Black Swan,” “127 Hours,” “The Town,” “The Fighter” and “Somewhere” (the last two have not opened everywhere, at least, but “The Fighter” is in many theaters and “Somewhere” also debuts today) — but this one was always high on the list.

So what say the critics? Rotten Tomatoes has it at 96 percent (from all critics and top critics alike), compared to an 82 from Metacritic.

In the only review I really care about, Ebert says he’s “surprised the Coens made this film, so unlike their other work, except in quality.” Other reviews mirror this point of view, that this is as straightforward a movie as we’ve ever seen from the Coens. As Ebert puts it, “[T]his isn’t a Coen Brothers film in the sense that we usually use those words. It’s not eccentric, quirky, wry or flaky. It’s as if these two men, who have devised some of the most original films of our time, reached a point where they decided to coast on the sheer pleasure of good old straightforward artistry… So let me praise it for what it is, a splendid Western.”

This has been an odd, up-and-down year for the movies. Long stretches have gone where I have not seen anything worth leaving the house, while other brief windows have been packed with multiple must-see films hitting theaters (beyond this, I still need to see “The King’s Speech,” “The Fighter” and “Somewhere”). Even if this is the last truly great film of 2010, it still sounds like a hell of a conclusion.


“True Grit” as a family-friendly outing

“True Grit,” this blog’s most anticipated movie in ever, opens in 21 days. We’re going to start seeing reviews leak out as the embargo is lifted, but for now, we have this USA Today story about how this is actually…a family film.

“They were contemplating a holiday release, and we thought that it seemed to make sense, because it is a young-adult adventure story,” Ethan Coen says.

Not quite what you’d expect from a film that was pitched as a darker take on the True Grit novel than the John Wayne movie, and not quite what you’d think given that it’s being marketed as “from the guys behind ‘No Country for Old Men.'” But the Coens say there is a comedic element to things here, what with a 13-year-old bossing around a disheveled Dude (Jeff Bridges as Rooster Cogburn). This isn’t surprising, since almost all Coen Brothers films have humor, but trailers and promotional materials so far are pitching this as a much more somber, serious story than a lighthearted adventure fathers and daughters can bond over.

Also of note: The dialogue is lifted largely from the book. The Coens did much the same with “No Country,” putting Cormac McCarthy’s words up right there on the screen.

Ranking the Films of the Coen Brothers

This list dares to do the quasi-impossible: Ranking every Coen Brothers movie from worst to best. “The Big Lebowski” comes in at No. 5, so clearly the person who authored this list should not be trusted, but you’ve gotta respect the moxie and the effort.

My list? I’d posit this as my top five:

  1. “The Big Lebowski”
  2. “No Country for Old Men
  3. “Raising Arizona”
  4. “Fargo”
  5. “O Brother, Where Art Thou?”

Of course, I could make an argument for scrambling Nos. 2 through 5, excluding “O Brother” in favor of something else, and basically including and omitting any number of entries in their oeuvre. That’s because they’re the Coens, and even their lackluster efforts (“The Ladykillers”) have winning elements and something respectable about them.

(I think making a list is damn near impossible — I’ve got a favorite, that’s enough for me — but it seemed hypocritical to complain about someone else’s efforts without at least proffering my own.)

Meet Hailee Steinfeld, the young actress starring in “True Grit”

As part of our somewhat obsessive coverage of “True Grit” (opening Dec. 22!), we direct you to this profile of Hailee Steinfeld, the 13-year-old actress who beat out 15,000 (!) others for the role of Mattie Ross. As you well know, the story of “Grit” revolves around a young girl (Ross) enlisting the help of Rooster Cogburn (played in the original by John Wayne, here by Jeff Bridges) to find and kill the man who killed her father.

Choice quote: “I felt that I wanted to bring that to the role of Mattie Ross: holding my own next to the Dude.”

This being a Coen Brothers movie, to say nothing of a Coen Brothers movie with Jeff Bridges, I am obviously a wee bit excited. But every single tidbit about this thing just makes me want to see it even more, so, yeah, I kinda wish it would come out already.

“True Grit” bumped up three days

Here’s your requisite “True Grit” update, since I will cover any and all news about my sure-to-be-favorite-movie-of-2010. It’s going to open on Wednesday, Dec. 22, as opposed to the original date of Saturday, Dec. 25. This is pretty sensible, since opening a movie on Saturday (even Christmas, a big moviegoing day) is pretty stupid. Opening it on Wednesday gives it a big jump on the weekend, lets it build buzz with its target audience (older people who might hear it’s good and trek out a few days later) and also more readily capitalizes on the Young People Interest in Jeff Bridges thanks to “TRON: Legacy” (opening Dec. 17). [Deadline]

New “True Grit” trailer

[UPDATED: Embedded trailer added above.]

There’s a newer, longer “True Grit” trailer that Paramount Pictures just unveiled. It gives you a better idea of the story’s scope and shape, if you weren’t already aware, along with better sketches of the characters played by Jeff Bridges, Matt Damon, Josh Brolin and newcomer Hailee Steinfeld.

It looks downright magnificent. As I’ve blogged before, I am an easy target for this movie. My favorite movie is “The Big Lebowski” (which is why an image from that film adorns the top of this here site). My favorite directors are the Coen Brothers. The prospect of the Coens reuniting with Jeff Bridges would have been enough to guarantee my purchase of a ticket. Adding in Damon, Brolin and the concept of doing a sterner, harsher and more faithful adaptation of the book (I’m trying so very hard to avoid saying “grittier,” if you can’t tell) — not to mention the Coens doing a Western, a legitimate Western, after what they accomplished with their neo-modernistic take in “No Country for Old Men” — and I couldn’t be more excited. This has been on my Must See List for as long as I’ve known of the project; every glimpse only serves to deepen that excitement. Can’t. Wait.